serampang dua belas dance

Serampang dua belas, typical dances from Sultanate Serdang, North Sumatra, was recently experienced in the technique pendangkalan.

Pendangkalan occurred because dance is gaining popularity in the 1950s, many danced by people from various regions so that there was a shift from the original techniques.

This was revealed by the traditional dancers of North Sumatra, Jose Rizal Firdaus, in his paper presented in the workshop Serampang Sauti Dua belas works in North Sumatra Cultural Park, Monday. The workshop lasted until Wednesday.

Chief Executive Workshop Kesumaningayu Sri Dewi says, the workshop aims to preserve the dance that more and more of this sink.

"We felt a little nervous arts traditions of other countries will be taken. Moreover, if not developed into a young child, "said Sri. This step is also a committee to fill the children's holiday on useful things.

Serampang dua belas own Sauti created by the era of the 1940s. Sauti a dancer born in 1903 in Bath Beach, who is now a part of Serdang Bedagai. Sauti also a teacher and be helped in the Cultural Bureau of Representatives of North Sumatra in Medan. He died in 1963.

Social dance is danced in pairs, either with the opposite sex or same type, it is now famous throughout the country, and even performed in Malaysia, Singapore, Thailand, and Hong Kong. Fame was on one side also cause anxiety because they can claimed by other nations.

According to Sri, this dance was originally danced only by men. His name is also used to extract due to the island dance songs that accompany this dance is the song "Island Sari".

When times were created, women can not go dancing because dancing is going to show their curves, and it was banned.
However, the development partners of men and women who danced. The dance tells of the introduction of young people to enter marriage in the 12 range or 12-step movement that later became a dance of serampang dua belas. (SOURCE: KOMPAS)

Seudati Dance

Seudati Dance is a dance that originated from the province of Nanggroe Aceh Darussalam. Seudati derived from the word 'Creed, which means witness / testify / recognition of no god but Allah, and Muhammad the messenger of God.

This dance is also included in the category or Tribal War Dance War Dance, which the words are always inspiring young people of Aceh to rise up and fight colonialism. Therefore, this dance had banned the Dutch colonial era, but now is allowed to dance again and became the National Art Indonesia.

Dance Seudati in conjunction with the spread of Islam to Aceh. Media is used by dance penganjurpenganjur
Islam in the development of Islam in Aceh. Before Seudati, this dance is called RATOH which means
tell. In this Ratoh can tell everything about aspects of community life.
For example: the story of sad, happy, advice and uplifting.
Islam advocates who mostly come from the Arabic language directly or terms
used in the spread of religious emphasis on the Arabic term. So while the media is ratoh
influenced by Arabic terms. Syahadatain be Syahadati and Seudati, then summons a
meusaman (which means eight) people.
These two terms are used until now. There is also another opinion saying that the word comes from the word Seudati
match (meaning harmony / harmonious). Previously developed Seudati dikabupaten Pidie and North Aceh, were now
developed in other districts and municipalities in the region Istimewa Aceh.
In this Seudati dance performance led by a Sheikh (leader). Sheikh was assisted by representatives of the so-called
Apet Sheikh. Dance is danced by eight dancers and assisted by two singers as a dance accompanist
(Aneuk Syahi).
Written by Taloe (an art institution independent non-governmental) that exists to explore and assess
aceh traditional art history and art concerned with the development of aceh.

garojeng dance

JAKARTA (bisnis.com): Dance performances begin Ngarojeng cultural ambassador in Indonesia impression Culture and Tourism Festival (International Folk Dance Festival) in Turkey which was held on July 27 to August 2, to enhance Indonesia's image in international eyes pascapeledakan bomb the JW Marriott hotel and Ritz Carlton, Mega Kuningan, Jakarta.

Students from Senior High School 28 and 70 who became the cultural ambassador of Indonesia in the international festival was yesterday held a rehearsal on the bridge Nanggroe Aceh Darussalam, Taman Mini Indonesia Indah, East Jakarta. At least eight regions of the Betawi dances, Aceh, East Kalimantan, Minang, Central Java, will be displayed by the students who become cultural ambassadors in order to raise the image of Indonesia in the eyes of the world.

First appearance by the students present the original dance of Betawi, Ngarojeng. Dance music is adapted from that developed ajeng Batavia area edge. Maya is the music that accompanied the bride tetabuhan Betawi. Next appeared a rattle of dance from East Kalimantan to describe the gratitude to God for their harvest success.

Other dances are Yapong of Central Java. This dance is a dance that combines the creation of regional dances of Central Java and Batavia is the happiness of the women told to greet the guests.

Booming applause when students of SMAN 28 shows rantak dance from West Sumatra. Dance Rantak which is the first dance movements from the martial art, accompanied by live music that also plays other dancers.

The fifth dance dance shown is the plate, which was appointed from activities in the realm of Minang farmers who have finished working in the fields. After eating the farmers terebut show their skill using the plates to dance.

Trawl, Saman and Rapai head, the three types of dance from Nanggroe Aceh Darussalam to the top performances of the girls who capitalize themselves to perform at the international arena. "Schools do not have the funds, only a stamp, the students pay for themselves the mission of this culture," said Edi Sumarto, head of SMAN 28 Jakarta a while.

Dance dance trawler is based upon the fisherman's life on the coast of Aceh is a net or nets and catch fish with nets in the sea. Interesting atmosphere trawl in the hope of getting a lot of fish is done by hard work and joyous singing together accompanied by the shouts of the dancers.

Meanwhile, Saman dance is the most popular votes, presentation expressing gratitude to Allah SWT. Dance is usually presented at the reception guests. Songs are sung accompaniment of Islamic dhikr.

Dance Rapai Islami is also a dance as a medium for broadcasting propaganda in the Islamic religion. This dance symbolizes the attitude of mutual cooperation, togetherness, and the full solidarity in a community environment.

Erlin Listiyaningsih, vice chairman of the committee team of Indonesian culture to Turkey, said that before appearing in the international arena, the students have several times appeared on the U.S. Embassy, in front of President Susilo Bambang Yudhoyono, which aired on television.

Them for months to practice dancing and playing music in the middle of busy studying. "No thought ya, kok kids can dance and play music like that. Pantesan, if the body exercises at home ngrentek all," said one parent who sell their land to finance the mission it was lifted the image of Indonesia. (ln)

(web.bisnis.com)

maengket dance

Maengket is a traditional dance that originated from Minahasa (Manado), where since time immemorial to this day is still growing.

Maengket already in the ground since the people of Minahasa Minahasa known mainly grow rice farming in the fields.

At the time of Minahasa Ancestors People, dance maengket played only at the time of rice harvest with movements that only modest. But in today's dance has been developed especially maengket and tarinya form without leaving their authenticity, especially the poem / song literature.

Maengket dance consists of 3 (three) rounds, namely: Maowey Kamberu, Marambak, and Lalayaan.

Maowey Kamberu is a dance that brought on the show thanksgiving to God the Almighty God, in which agricultural products especially rice a double (many results).

Marambak a dance with the spirit of cooperativeness. Minahasa where people help each other help create a new home. Finished houses built up the party held a new home or in the local language called "rumambak" test the strength of new homes. In this event, all the villagers were invited to attend the party.

Lalayaan a dance that symbolizes how the youth Minahasa region in ancient times will find their soul mate. This dance is also called the social dance of young people long ago in Minahasa.

By: N. Raymond Frans

jaipong dance

Jaipongan is the art of dance that was born from the creativity of an artist from Bandung, gugum Gumbira. He inspired the folk art one of them is making Tap Tilu really know and recognize patterns perbendaharan dance tradition that is at or Kliningan Tilu Bajidoran or Tap. So that he can develop a dance or art that is now known by the name Jaipongan.

Jaipongan work first began to be known by the public is dance "Leaf Bojong Keser plus" and "Rendeng Bojong" both of which type of dance and dance partner's daughter (sons and daughters). Initial appearance of the original dance movement is considered as the erotic and vulgar, but the longer this dance more popular and began to increase both the frequency pertunjukkannya in the medium of television, celebration, and celebrations that disenggelarakan by the government or by private parties.

From this starting Jaipong dance was born a few dancers that are reliable Jaipongan like Tati Saleh, Yeti Mamat, Eli Somali, and Pepen Dedi Kirniadi. The presence of dance Jaipongan contributed considerable to the art of dance lovers for more active types of folk dances explore previously lacking in attention. With the emergence of this Jaipongan dance that many are making dance courses Jaipongan, and frequently used by businessmen to enticing guests.

In Subang Jaipongan style "Kaleran" has a characteristic that is fun, erotic, humorous, spirit, spontaneity, and simplicity. This pattern was reflected in the presentation of dance on the show, there is a given pattern (Pattern Ibing) as in art Jaipongan in Bandung, as well as others who do not dance dipola (Ibing Saka), for example in art Jaipongan Subang and Karawang. This term can we meet the Jaipongan kaleran style, especially in the Subang area.

Dance Jaipongan today could be called as one of the West Javanese dance, look at the important events coming of guests from foreign countries who came to West Java, was always greeted with a performance at Jaipongan dance. Dance Jaipongan influence on many other art-art in West Java, both on the art of wayang performances, gamelan, and other genjring even with dikolaborasikan by Mr Modern Dangdut. Nur and Leni to become art Pong-Dut.

pendet dance

Pendet worship dance that is exhibited in many temples. Pendet is a statement of the offering in the form of a ceremonial dance. Unlike performing dances that require intensive training, Pendet be danced by all people, pemangkus men and women, women and rural girls.

Dance created early 70's by artists is I Nyoman Kaler, describing the welcome of deities fall to Marcapada nature. This dance is an offering in the form of ceremonial dances. Unlike the show dances that require intensive training, this dance is taught simply follow the movement. The young girls follow the movements of the more senior women.

Pendet performed in groups or pairs, shown after the Rejang dance in the temple yard. Usually dancers facing the holy (pelinggih) ceremonial dress, and each dancer brings sangku, jars, bowls and other equipment offerings. In addition Pendet dance, in Bali there are several types of dances that brought the girls or adult women to complete the implementation of activities of religious ritual or ceremony.

Gradually, as the times, the Balinese artists to change Pendet be 'welcome' ™. A sprinkling of flowers spread in front of guests as an expression of welcome. However, this dance still contains charges sacred and religious.

As Pendet, this dance feminine nature, because it requires the movements graceful Dedari Trance dance, Rejang dance, and dance Sutri Gabor. Balinese dances are performed for the purposes of religious ceremony called the dance of the guardian, was performing outside the temple called Balih-balihan.

(www.swaberita.com)

serimpi dance

Dance Pakubuwono srimpi IX sangopati this work, is actually a dance work Pakubuwono IV who ruled the Kingdom of Surakarta Sultanate in 1788-1820 with a Srimpi sangopati itself sangapati word comes from the word 'the apathy "of a candidate replacement term for king.


When Pakubuwono IX of Surakarta Sultanate courts ruled in 1861-1893, he was concerned to Sangapati rename Sangupati.

This is related to an incident that occurred in his reign the Dutch colonial government forced to Pakubuwono IX in order to submit a coastal land to the Dutch island of Java. While meeting these problems Pakubuwono negotiations IX Dutch entertain the guests with dances srimpi sangopati

Indeed srimpi dance presentation is not only used as a mere entertainment, but the actual presentation was intended as a preparation for death of Dutch, because it means sangopati said provision to die. Therefore, the pistols are actually used for dancing filled with real bullets. This meant if the failure, then the penaripun was ready to sacrifice his soul. So this is evident in the use of "sampir" which means white color purity and IX ketulusan.Pakubuwono known as the king is very courageous in the Dutch colonial government opposed the ruler of Indonesia at the time.

Actually dare to oppose the Dutch attitude is based on the events that caused the death of his father is Pakubuwono VI (Indonesian national hero) who died from shot to death while serving his sentence Dutch expelled the island of Java when Pakubuwono VI died Pakubuwono IX which should replace the king as it still is in GKR Prameswari content Ageng mother is still in the womb due to the age of 3 months, then after Pakubuwono to VI died of a king is the uncle Pakubuwono Pakubuwono VII IX VII died when Pakubuwono which replace the king's uncle as Pakubuwono Pakubuwono VII IX. Only after Pakubuwono VIII IX died Pakubuwono menuruskan throne of his father continued Pakubuwono VI as king when he was 31 years old.

After Pakubuwono IX died in 1893 at the age of 64 years he was succeeded by his son Pakubuwono X at the pleasure of this dance Pakubuwono X Srimpi Sangupati has replaced Pakubuwono's father's name by a srimpi Sangapati IX, with the intention that all acts or human behavior should always be shown to create and maintain safety and welfare for life. This is seen reflected in the symbolic meaning of the dance srimpi describe real sangopati by defeating lust man who always accompany each other and trying to win control of man himself.

One property of Surakarta Palace is in the midst Kasunanan conservation effort are the various types of dances that often decorate and entertain at various events held in the palace environment. Of the various types of dance known until now is Serimpi Sangupati dance. Sangupati own naming it is one form of strategy in defeating the enemy.

This dance deliberately in traction as one form of politics to derail an agreement that will be held with the Dutch at that time. This is done to anticipate that the court does not need to let go of the northern coastal areas and some existing teak forests, if the agreement is intended to be defeated.

Serimpi Sangaupati dance itself is a dance performed and 4 female dancers in the midst of the four dancers dance with them with expertise and providing liquor to the Dutch by using gelek inuman.

Tactics proved highly effective as, at least can lead to the Dutch side did not realize that he was deceived. Because already seduced by the beauty of dance combined with the increasing number of liquor or wine that they ditegak (Netherlands) and then drunk. Tail, which was originally an agreement will be finally successfully thwarted. With the failure of these agreements so some areas mentioned above can be saved.

However, that should be recognized in this dance is the courage of the warrior princess which in this case represented by the dancer's serimpi. Because if the strategy was detected by the Dutch, then that will be their first tumbal dancers are.

You could say they were soldiers in the front row of the determinant of whether the mission succeeded and thwart the agreement. So to obscure the real mission is in the dance the dance's name was called Serimpi Sangaupati sangu defined as starch.

Currently Serimpi Sangaupati still danced, but only serves as a dance entertainment. And the wine scene in the dance that is still there but only a symbol done; alone, not with real wine.

Agreement between the Keraton Surakarta Kasunanan with the Dutch side that happened around the 1870s.

source: http://kotalamakita.blogspot.com/2008/12/tari-serimpi.html

Tledhek''Dancer''is Named The Gambyong

IN the beginning was the street dancer (tledhek) called the Gambyong. He lived at a time Pakubuwono Sinuhun IV in Surakarta (1788-1820). Then created a dance called Dance Gambyong.

That kind of social dance in the community. In some variants, the term raises naming Tayub Dance. Type of dance is closely related to the term''or''ledhek''or''''taledhek''tledhek.

Apart from the bad connotations that often accompany the kind of dance, the most prominent feature on Tayub is Gambyong or kerakyatannya spirit.

Looking back, street dancer has existed since the time of the Sultanate of Demak. Tetabuhan entourage then tambourines and drums only occasional gust ditingkah flute. According to the story, instruments and rhythms that produce the characteristic time kabudan (Buddha-Red). He said, tetabuhan that resound in the air or called swara katawang makes the angels to dance. From there was born Bedhaya Ketawang dance.

At the time of Surakarta, street dance instrument equipped with bonangs and gongs. Gamelan is used usually include gender, gender successor, drums, kenong, kempul, and gongs. All the instruments were taken everywhere by means bear.

Prevalent at that time,''dance''that tledhek different Bedhaya or Srimpi dance. Indeed before the gamelan sound, dancers dance in a dance-like Srimpi. But once the gamelan sounds, dance looks different. At least four types of dance that characterizes''Dance''tledhek moment. Namely, Joged Barrel Angetepang, Ngentrog, Dhedhet, and Nedhi Kengser.

The Gambyong

In further developments, there appeared the figure of a dancer''famous''tledhek named Si Gambyong. Sala's work on the Chronicle Sajid RM (1984) described, the dancers were much appreciated by the public at that time. In addition to a beautiful dance, beautiful people, too. No wonder, he was famous throughout Surakarta. So famous that he created a dance Gambyong.

Dance performances characteristic Gambyong, before it starts always opens with a piece Pangkur. Other characteristics, the dance looks beautiful and elegant if the dancers are able to align with the rhythm of drum movement. Therefore, it was commonly referred to as drum dances and guides muscle piece.

Therefore, commonly known among drummers Dance Gambyong instruments, was playing drums is not something easy. Must be able Pengendang identical with the ease and be able to combine dance with the rhythm pieces. Hence, it often happens Gambyong a dancer can not be separated with the always accompanied pengendang. Vice versa, one has to know pengendang vaunt-track the dancer will be easy to do Gambyong harmonization.

Has been called, Gambyong typical dance is always a piece Pangkur. but in the next development came a few other variants such as pieces Gambirsawit Pancerana, Gandrung Sweet and so on. Keprak a common instrument in dance began Srimpi also included in the instrument accompaniment Gambyong.

It can be found for example at a wedding reception. Dancers move from outside to pendapa accompanied by gamelan rhythms. Once in pendapa, dancers perform procedures andhodhok (motion squat-Red) as Srimpi Dance lumrahnya. Once the piece opens with keprak, then the dancer to dance according to the existing rhythm. Approximately 20-25 minutes exhibited Gambyong Dance. (Saroni Asikin-74)
http://www.youtube.com/watch?v=yewkOTbxY30
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Traditional Indonesian Dance Calls Angel to Earth

Arriving at Lara Djonggrang restaurant in Menteng, Central Jakarta, on the evening of Halloween, I was surprised to see a traditional market occupying the courtyard.

Illuminated with torches and oil lamps, open bamboo huts showcased traditional delicacies from Cirebon, West Java, such as tahu gejrot (crisp-fried tofu bathed in a thin, dark sauce flavored with green chili and shallots), empal gentong (tender beef in creamy turmeric and coconut soup) and nasi lengko (steamed rice served with marinated tofu, soybean cake and vegetables).

Hawkers dressed in traditional clothes shouted out the names of their offerings to passersby. Guests — Indonesians and expatriates alike — sat together chatting at long wooden tables. The atmosphere made me think of the Kasepuhan night market in Cirebon.

“We want to bring the history and culture of Indonesia back to life by showcasing local culinary delights and almost-forgotten traditional cultures,” said Annette Anhar, the general manager of Lara Djonggrang.

To this end, once a month the restaurant presents a cultural night featuring traditional dishes and a dance performance from a different region of the country.

On the evening of Oct. 31, the focus was on Cirebon and the performance was “Tari Turun Sintren” (“Dance of the Descending Angel”), a mystical show traditionally danced by a beautiful young virgin in a trance.

Cirebon, a quiet town on the northern coast of West Java, has a unique history and traditions. A sultanate, it was founded by Sunan Gunung Jati, a 16th century Muslim religious leader. It later became an important port town during the Dutch colonial era. Although the people of Cirebon are generally devout Muslims, most still maintain ancient Javanese traditions and mystical beliefs.

“Tari Turun Sintren” originated from a traditional game among Cirebonese fishermen and is considered both sacred and magical. In the old days, fishermen’s wives and children played the game on the beach at night as they waited for their husbands and fathers to return from the sea.

from: http://www.tourismindonesia.com/2009/11/traditional-indonesian-dance-calls.html