IN the beginning was the street dancer (tledhek) called the Gambyong. He lived at a time Pakubuwono Sinuhun IV in Surakarta (1788-1820). Then created a dance called Dance Gambyong.That kind of social dance in the community. In some variants, the term raises naming Tayub Dance. Type of dance is closely related to the term''or''ledhek''or''''taledhek''tledhek.
Apart from the bad connotations that often accompany the kind of dance, the most prominent feature on Tayub is Gambyong or kerakyatannya spirit.
Looking back, street dancer has existed since the time of the Sultanate of Demak. Tetabuhan entourage then tambourines and drums only occasional gust ditingkah flute. According to the story, instruments and rhythms that produce the characteristic time kabudan (Buddha-Red). He said, tetabuhan that resound in the air or called swara katawang makes the angels to dance. From there was born Bedhaya Ketawang dance.
At the time of Surakarta, street dance instrument equipped with bonangs and gongs. Gamelan is used usually include gender, gender successor, drums, kenong, kempul, and gongs. All the instruments were taken everywhere by means bear.
Prevalent at that time,''dance''that tledhek different Bedhaya or Srimpi dance. Indeed before the gamelan sound, dancers dance in a dance-like Srimpi. But once the gamelan sounds, dance looks different. At least four types of dance that characterizes''Dance''tledhek moment. Namely, Joged Barrel Angetepang, Ngentrog, Dhedhet, and Nedhi Kengser.
The Gambyong
In further developments, there appeared the figure of a dancer''famous''tledhek named Si Gambyong. Sala's work on the Chronicle Sajid RM (1984) described, the dancers were much appreciated by the public at that time. In addition to a beautiful dance, beautiful people, too. No wonder, he was famous throughout Surakarta. So famous that he created a dance Gambyong.
Dance performances characteristic Gambyong, before it starts always opens with a piece Pangkur. Other characteristics, the dance looks beautiful and elegant if the dancers are able to align with the rhythm of drum movement. Therefore, it was commonly referred to as drum dances and guides muscle piece.
Therefore, commonly known among drummers Dance Gambyong instruments, was playing drums is not something easy. Must be able Pengendang identical with the ease and be able to combine dance with the rhythm pieces. Hence, it often happens Gambyong a dancer can not be separated with the always accompanied pengendang. Vice versa, one has to know pengendang vaunt-track the dancer will be easy to do Gambyong harmonization.
Has been called, Gambyong typical dance is always a piece Pangkur. but in the next development came a few other variants such as pieces Gambirsawit Pancerana, Gandrung Sweet and so on. Keprak a common instrument in dance began Srimpi also included in the instrument accompaniment Gambyong.
It can be found for example at a wedding reception. Dancers move from outside to pendapa accompanied by gamelan rhythms. Once in pendapa, dancers perform procedures andhodhok (motion squat-Red) as Srimpi Dance lumrahnya. Once the piece opens with keprak, then the dancer to dance according to the existing rhythm. Approximately 20-25 minutes exhibited Gambyong Dance. (Saroni Asikin-74)
http://www.youtube.com/watch?v=yewkOTbxY30
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